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Derivative Works and Copyright: Scope, Termination, Infringement, Considerations for Drafting Permissions

A live 90-minute premium CLE video webinar with interactive Q&A

This program is included with the Strafford CLE Pass. Click for more information.
This program is included with the Strafford All-Access Pass. Click for more information.

Thursday, December 19, 2024

1:00pm-2:30pm EST, 10:00am-11:30am PST

Early Registration Discount Deadline, Friday, November 22, 2024

or call 1-800-926-7926

This CLE course will provide guidance to IP counsel on derivative works, the scope of the derivative right, termination of granted rights, and lessons from recent court decisions. The panel will also discuss copyright infringement when making/selling derivative works and the intersection with fair use. The panel will offer insights on the impact for artists and their counsel when seeking copyright protection.

Description

Derivative works come in many forms--from the Mona Lisa with a Moustache to films based on novels like the Harry Potter series to music that samples from other songs to a new version of a computer program. Derivative works and related IP rights are complex areas of the law.

Under the Copyright Act, what constitutes a derivative work is often not clear-cut, and other doctrines, such as fair use, may impact the categorization of the work. Moreover, termination of the right to create a derivative work has its own set of implications with respect to the right to create future derivative works and continued use of any lawfully created derivative works. It is very important to understand the legal and practical consequences of derivative works rights under the Copyright Act.

Listen as our authoritative panel of IP attorneys discusses when work is derivative, the scope of the derivative right, and lessons from recent court treatment. The panel will also examine copyright infringement in making/selling derivative works. The panel will offer insight into what this means for artists and their counsel when seeking copyright protection.

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Outline

  1. When a work is derivative
    1. Musical
    2. Literary
    3. Visual
    4. Others
  2. Scope of the derivative right
  3. Copyright infringement and derivative works
  4. Lessons from recent court treatment
  5. Practical considerations for drafting permissions to allow the creation of a derivative work

Benefits

The panel will review these and other key issues:

  • Does the examination of a derivative work vary depending on the type of work--musical, software, literary?
  • How have courts treated derivative works?
  • What are the practical considerations for drafting permissions to allow the creation of a derivative work?

Faculty

Cole, CeCe
CeCe Cole

Attorney
Cowan, DeBaets, Abrahams & Sheppard

Ms. Cole has represented clients in copyright, trademark, and commercial litigation matters in both federal and state...  |  Read More

Helpern, Benjamin
Benjamin Halpern

Partner
Cowan, DeBaets, Abrahams & Sheppard

Mr. Halperin is an experienced litigator focusing on copyright, trademark, media, and entertainment litigation. He...  |  Read More

Sholder, Scott
Scott J. Sholder

Partner, Co-Chair Litigation Group
Cowan DeBaets Abrahams & Sheppard

Mr. Sholder focuses his practice on litigation, counseling, and dispute resolution in connection with entertainment,...  |  Read More

Attend on December 19

Early Discount (through 11/22/24)

Cannot Attend December 19?

Early Discount (through 11/22/24)

You may pre-order a recording to listen at your convenience. Recordings are available 48 hours after the webinar. Strafford will process CLE credit for one person on each recording. All formats include course handouts.

To find out which recorded format will provide the best CLE option, select your state:

CLE On-Demand Video